JOHAN COVA
MERGING THE HUMAN ESSENCE
WITH LIQUID FLOWS
Submergé Collection
Submergé: A Journey beneath the Surface
The Submergé Collection is a captivating exploration of the human experience as seen through the lens of water. Each piece in this collection portrays individuals immersed beneath the surface, observed from above the water, where the interplay of light and movement creates a dynamic and ethereal visual experience. As sunlight dances on the surface, the human forms within the water undergo a mesmerizing fragmentation, blurring the boundaries between realism and abstraction—a central theme that runs throughout all the pieces of this series.
The essence of this collection lies in its ability to evoke the human experience navigated through life. Each piece is inspired by events and experiences from the artist´s life, as well as those of people close to him, making the collection profoundly personal. Water, with its ability to cleanse, transform, and heal, becomes a powerful symbol in these works, representing the journey of life itself—a journey that is at once deeply intimate and universally relatable.
This Collection is more than just a series of paintings; it is a visual language that the artist found to portray the narrative that weaves together the threads of personal experience, emotional depth, and universal themes of transformation and introspection. Each piece invites the viewer to immerse themselves in the soothing yet complex world beneath the water’s surface, where light, color, and form interact in ways that challenge our perceptions and evoke a sense of wonder.
Submergé stands as a testament to the power of art to capture the ephemeral beauty of the journey of life and to transform them into something timeless. It is a reminder that beneath the surface of our daily lives lies a world of depth and complexity, waiting to be explored and understood.
Vacances
This artwork captures a defining moment in the artist´s life, one that marked a significant shift in how he perceived solitude and social interaction, representing a journey of self-discovery and reflecting the duality of his nature: the need for both solitude and social connection. The image of a figure submerged in water, inspired by a photograph taken by a friendly stranger he met on the beach during a solo trip to the south of France, reflects the introspective nature of that time alone and gives rise to the evocative name of the collection this piece is part of.
This journey was his first long solo trip, without the comfort of friends, family, or a partner. It was a deeply introspective experience, a rare opportunity to be truly alone with his thoughts, free from the burdens of expectations and the demands of daily life. This solitude allowed him to reconnect with parts of himself that had been overshadowed by his own designed and structured routines, enabling him to recognize how much he values his own company, despite his natural inclination to be social and surrounded by others.
Vacances was created during the height of the global pandemic, a time when isolation became a universal experience. While many struggled with the enforced solitude, he found that the endurance and peace he had discovered during his time alone in France, made the experience more bearable. The solitude of the pandemic not only echoed the solitude of that trip but reinforced in him the importance of being comfortable with himself, even in challenging circumstances.
The figure in the painting, submerged in water, represents the feeling of being immersed in one's own thoughts, navigating the depths of the mind where clarity and self-awareness reside. The water, both calming and isolating, symbolizes the duality of solitude—it can be both a refuge and a challenge.
From a young age, he always felt the need for balance between being alone and being with others. Growing up with two siblings and many friends, he cherished the time he spent alone, as it was essential in shaping his character and fostering a sense of independence. This balance between solitude and social interaction became a defining aspect of his personality, one that I carried into adulthood.
Throughout his life, he changed countries multiple times, a process that has enriched his life experience but also required sacrifices. Each move meant leaving behind relationships and starting anew, which only deepened his appreciation for the moments of solitude where he could process these changes and maintain a sense of continuity in his life.
This artwork, with its serene yet introspective mood, serves as a reminder of the importance of finding that balance, of embracing both the quiet moments alone and the vibrant connections with others. It reflects the resilience required to navigate the ebb and flow of these states, illustrating that while solitude can be challenging, it also offers an unique opportunity for growth and self-discovery. The submerged figure, floating in the water's embrace, is not lost but rather finding a deeper understanding of itself—a journey we all must take at some point in our lives.
Vacances
Acrylic on canvas / 45 x 30 inches
Splash
The creation of this piece was a deeply personal and emotional journey for the artist, one that encapsulates the essence of his sister—who was like a second mother to him—and the profound impact she had on his life. This artwork, completed just a week before her passing, stands as a tribute to her strength, resilience, and their complex yet loving relationship.
His sister was a woman of incredible fortitude, someone who faced a decade-long battle with a terrible illness with unwavering determination. Despite the physical toll it took on her, she remained fiercely goal-oriented, caring, and generous. Her spirit was one that could not be broken, and it is this indomitable spirit that he sought to capture in this artwork
The image of a woman submerged in water, enveloped by swirling currents, is the central motif of this piece representing his sister, who, like the person in the artwork, was often caught in the tumultuous currents of life. The water, dark and deep, symbolizes the challenges and the relentless struggle she faced during her illness. Yet, despite being surrounded by these overwhelming forces, the figure remains present, a testament to her resilience and her refusal to be defeated by her circumstances.
The title “Splash” holds multiple layers of meaning. On the surface, it is a nod to her love for the ocean and the beach, places where she found peace and solace. Every opportunity she had, she would escape to the sea, and it was in these moments that they often found their deepest connection. The beach was their sanctuary, a place where they could leave the world behind and simply be themselves. The splash, in this sense, represents the joy and freedom she felt in these moments, a burst of life and energy amidst the waves.
But the splash is also a metaphor for her impact on his life. Just as a splash in the water sends ripples that extend far beyond the initial point of contact, his sister's influence on him has been profound and far-reaching. Her strength, her determination, and her love have shaped him in ways that heis only beginning to fully understand. Even in her absence, the ripples of her life continue to resonate within him, reminding him of the depth of their connection.
The composition of this piece reflects the nature of their relationship—close, deep, loving, but also tumultuous. The swirling water around the figure mirrors the emotional currents they navigated together. There were moments of calm and clarity, where their love for each other was pure and uncomplicated. But there were also moments of turbulence, where misunderstandings and frustrations threatened to pull them apart. Yet, through it all, the bond they shared remained unbreakable, rooted in a deep love and mutual respect.
This artwork is more than a visual representation of a moment; it is a celebration of her life, a testament to her strength, and a reflection of the love they shared. It is a reminder that, even though she is no longer with us in the physical sense, her presence continues to ripple through his life, influencing and shaping him in ways that words alone cannot express.
Splash
Acrylic on canvas / 45 x 35 inches
Sportif
This artwork explores the unavoidable and at times overwhelming challenge of dealing with societal expectations around physical appearance, particularly in a world that often values the surface over substance. The submerged figure in the image is not just a person swimming in water but a powerful symbol of the struggle to navigate the overwhelming currents of societal norms that dictate what it means to be accepted, attractive, and worthy.
From a young age, the artist was confronted with an unspoken yet omnipresent set of rules: to work out, to be sporty, to sculpt his body into something that others would deem desirable. These weren’t just casual suggestions; they were deeply ingrained expectations, communicated through subtle and not-so-subtle cues from peers, adults and the media. In school, the pressure to participate in sports wasn’t just about fitness; it was a social currency, the primary way to gain acceptance and prove his worth. To be a part of the group, to avoid isolation, he had to fit a specific mold—athletic, strong, with a body that conformed to the ideals of masculinity and fitness.
This pressure didn’t dissipate as he grew older; it only intensified. The expectations to look a certain way permeated every aspect of life, particularly within the gay community, where physical appearance often becomes a defining factor in social interactions and relationships. The unrelenting focus on body image can create a toxic environment where self-worth is tied to how closely one’s physique matches societal ideals. He found myself constantly battling this pressure, questioning whether he needed to conform to these standards to be seen, loved and accepted by others.
However, with time and experience, he began to see through the façade. His journey toward self-acceptance wasn’t easy, but it was transformative. He realized that his value wasn’t contingent on his appearance or how well he could fit into society’s narrow definitions of attractiveness. He started to recognize that his true worth lay in his intellectual pursuits, his professional achievements, his academic accomplishments, and, most importantly, his emotional and spiritual growth. This realization was liberating; it allowed him to break free from the chains of superficial expectations and embrace a more authentic and fulfilling sense of self.
In this artwork, the water represents the fluid, ever-changing nature of societal expectations, and the figure submerged within it is a metaphor for the struggle to stay afloat amid these pressures. The ripples and distortions in the image reflect how these pressures can warp our sense of self, making it difficult to see ourselves clearly. But there’s also a sense of movement, of the figure pushing through the water, suggesting resilience and the possibility of emerging stronger on the other side.
Ultimately, this piece is a meditation on the importance of looking beyond the surface, of recognizing that true beauty and worth are found in the depths of our character, our intellect and our spirit. It’s a call to resist the temptation to conform to societal pressures and instead embrace a more holistic, authentic, and healthy approach to life—one that values emotional and mental well-being as much as physical health, if not more.
Sportif
Acrylic on canvas / 70 x 40 inches
Épuisé
This artwork represents a scary, anxious but also liberating and exciting moment in the artist´s life, one that evocates the transition from his former career as a corporate man to his current path as an artist. The image, which portrays a figure submerged in water, is not merely a visual creation but a manifestation of the complex emotions he experienced during this significant career change.
The journey into art wasn't something he had formally prepared for. He didn’t attend art school, nor did he take any structured courses in painting or drawing. His passion for art, however, has been with him since childhood, manifesting in a strong attraction to art in all its forms. Despite this enduring love for the arts, it wasn’t until 2020, amid the global pandemic, that he fully embraced this passion, previously pursued as a hobby, and allowed it to guide him into a new career.
The process behind this artwork began with a simple yet profound idea: to visually express the emotions tied to his decision to leave the corporate world. This concept took shape when he envisioned a model, dressed in a business suit, submerged underwater. The symbolism was clear to him—the water represented the overwhelming nature of corporate life, and the suit symbolized the professional identity he was leaving behind.
The inspiration for this piece draws heavily from his personal experiences during his time in the corporate sector. He spent years navigating the pressures of a high-stakes environment, where long hours, demanding clients, endless meetings, and constant communication were the norm.
Despite the challenges and pressures, he feels no regrets about his former occupation. In fact, he found it incredibly enriching in many ways. It was some sort of a school where he learned not only the technical aspects of his profession but also the softer skills—diplomacy, formal communication, articulation, and persuasion. This career provided him with opportunities to travel, meet fascinating people, and experience diverse cultures, foods, and languages. However, the same career that offered so much also demanded too much, leading to a toxic environment filled with unspoken expectations, abuse, and exploitation.
The corporate world often traps its employees in a cycle of overwork and stress, masked by seemingly generous perks, like company-provided cellphones and credit cards. However, these perks often come with strings attached, as he quickly discovered. The constant, invasive communication from a boss, even at ungodly hours, and the expectation to use personal time and resources as company expenses were just some of the ways the corporate system blurred the lines between personal and professional life. This blurred line created an environment where anxiety became normalized, misinterpreted as duty, and ultimately eroded the passion for the work he once enjoyed.
This artwork, like his journey into art itself, is a testament to the power of introspection and the courage to embrace change. The figure submerged in water represents not just the exhaustion and weariness that comes from years of corporate life, but also the liberation and excitement that comes with breaking free from it. It symbolizes the duality of that experience—both the burden of a former career and the newfound joy of pursuing a passion.
Épuisé
Acrylic on canvas / 40 x 35 inches
L´enfant
This artwork is the result of a profound self-assessment of the artist´s childhood, a time filled with moments of joy, discovery, and challenges that have shaped who he is today. The image of a child submerged in water, surrounded by the vibrant colors of a beach ball, captures the innocence and playfulness of his childhood while reflecting the deeper layers of his childhood experiences. This artwork is his attempt to view his childhood through the lens of an adult, with all the insights that come with age.
As he reflected on his memories, he realized that his childhood was largely a time of joy despite the emotional scars remaining as a result of the psychological and verbal abuse of his brother. When he thinks about that time as a whole, the joyful moments far outweigh the painful ones. This realization led him to create an image of a playful child—a celebration of the resilience and joy that defined his early years.
One of the most vivid memories of his childhood is the time spent at the beach. The beach was a sanctuary, a place where worries were carried away by the gentle waves. His family and him often spent weekends there, basking in the sun and reveling in the ocean's soothing sound. The freckles on his back and shoulders today are a reminder of those sun-soaked days and the happiness they brought. Growing up with easy access to the ocean was a blessing that he appreciates even more now as an adult.
Central to his childhood were the moments spent with his mom and sister. His mom was a pillar of strength, always making even the simplest activities feel special. His sister played a crucial role in his upbringing. She was nurturing and protective, and they shared a close bond. Being around her and her friends, gave him a glimpse into a world beyond his years, which he found fascinating.
As a sensitive child, he was acutely aware of how much his mom worked to keep home in order. Her dedication and perseverance were not lost on him, and he admired her strength. The absence of a father made the bond with his mom and sister even stronger. His mom took on both parental roles with grace and determination, and his sister’s nurturing nature helped fill the gap. This family dynamic shaped him in profound ways, teaching him the value of love, sacrifice and discipline.
School was another significant part of his childhood. It was not just a place of learning but also one of discovery and growth. He was fortunate to attend a school that encouraged creativity and curiosity. The friendships he formed there added to the joy of his school days, making it a place he looked forward to every day. The sense of belonging and camaraderie he felt with classmates was something he cherished deeply.
Another cherished part of his childhood was the time spent with family in the countryside, where they connected with nature by exploring rolling hills, picking fresh fruits, visiting the nearby river, and interacting with farm animals. These experiences fostered a deep appreciation for the simplicity and beauty of rural life and a lasting love for the natural world.
This artwork is a celebration of the child within all of us, the type of child who has kept the spark of life alive, survived the weight of this world, and maintained playfulness and grace despite life’s challenges. That child within that gives us reasons to trust, love, be optimistic and find silver linings in difficult times.
L´enfant
Acrylic on canvas / 51 x 40 inches
Mystique
Mystique is a visual representation of humanity's intrinsic need to connect with something larger than ourselves—be it the divine, a superior energy or an abstract spiritual force. Through the image of a solitary figure submerged in the depths of rippling water, the artwork portraits the contradiction and ambiguity of spiritual and religious journeys.
In a very personal level, the figure's immersion in the water symbolizes—literally—a ritual suggested by the artist´s spiritual tutor who affirmed that by doing this, he would undergo a cleansing process leading to clarity, certainty, and inner peace. For some inexplicable reason, this personal immersion in water actually creates that effect on him; whether it is his faith on the ritual or his rational - non spiritual - determination to achieve that state of mind.
He remembers the moment his mother told him as a young child to keep a red string around his wrist for protection and to ward off any misfortune that could be caused by the evil eye. Her words left such an impact on him that he never forgot them. He was raised Catholic. Many years later, when studying a different spiritual doctrine, he discovered they use the same kind of red string on the wrist for the same purpose. He realized that, despite these divisions and different names of the spiritual – religious paths, the need to connect with something greater persists and can share even the same principles and believes.
This artwork serves as a metaphor for the multifaceted nature of religion and spirituality. It represents the ever-changing, fluid path many traverse in their search for purpose and enlightenment. This piece delves into the layered intricacies of spiritual beliefs, particularly the way these beliefs are often instilled or imposed upon us from a young age by our parents or society. This imposition can lead to a complex relationship with faith—where religion and philosophies, intended to unify and guide, can instead create division and discord. Even though religions, meant to bring us closer to a higher power and to each other, frequently end up segregating us, drawing lines between communities and individuals based on differing doctrines and practices.
The search for these different spiritual doctrines has been of a personal interest for the artist, mainly when he find himself wrestling with his own darkness, seeking a way to navigate the burdens of this world more easily, and ultimately, to build a better version of himself using as much wisdom and tools as these teachings can provide. On some level, we all yearn for solace, meaning, and hope beyond the tangible world. This need arises from a deep-seated desire to improve ourselves and seek guidance and reassurance in the face of life's uncertainties.
Mystique also touches upon the role of faith as a source of strength and resilience. In times of doubt, fear, or despair, many turn to their spiritual beliefs for comfort and purpose. It suggests that this connection, whether rooted in organized religion or personal spirituality, serves as a crucial anchor, helping us navigate the tumultuous waters of existence and acting as a beacon of hope in our collective human journey toward understanding and enlightenment.
Mystique
Acrylic on canvas / 51 x 40 inches
Passionnés
Passionnés explores the raw, unfiltered nature of love — not the idealized fantasy passed down through fairytales, but the honest, contradictory, and deeply human experience of loving and being loved.
Inspired by the intimate terrain of the artist´s own relationships, as well as the lived experiences of those close to him, this piece is a reflection on the duality of intimacy — how closeness can both soothe and ignite, heal and challenge.
The figures — dressed in formal attire and submerged in water — embody the contradictions of romantic partnership. Their embrace might be preceded by a heated argument or a moment of tenderness. Their position is deliberately open to interpretation: are they lovers in conflict or in bliss? The ambiguity is intentional, revealing how relationships can simultaneously wound and heal, suffocate and sustain. The water, with its distorting ripples and soft clarity, becomes a metaphor for emotional transparency, tension, and surrender.
In this piece, passion is not merely physical — it is emotional resilience. It lives in the decision to stay present through the storm, in choosing to understand instead of escape. True love, as depicted here, is accepting that no one can fulfill every need or expectation, yet still choosing to see and be seen, flaws and all. It is about the courage to be fully seen and to still be embraced and that true connection is not about perfection, but about acceptance.
This artwork is about the kind of intimacy that isn’t always photogenic. It’s about the fierce, quiet strength it takes to remain vulnerable when pride begs us to close off. It’s about witnessing each other’s failures and triumphs with equal presence, and resisting the impulse to mold ourselves into someone more likable, more palatable — less real.
Passionnés is an homage to those who love bravely — who dive into the deep waters of truth, vulnerability, and forgiveness. It is love in its most authentic form: a coexistence of affection and frustration, admiration and doubt. It speaks to the unglamorous, beautiful act of staying — not out of obligation, but out of faith in shared growth, shared becoming.
Passionnés
Acrylic on canvas / 67 x 40 inches
Estigma
This piece was born from a deeply personal wound — the loss, not so long ago, of a dear friend who lived with HIV before receiving a cancer diagnosis. He was so very young; it simply wasn’t his time. Witnessing his decline, the fear in his eyes, and finally losing him left a mark on the artist that words alone could never convey. It took him a long time to surface from that grief. This piece stands as both a gesture of healing and a way to transmute pain into collective awareness.
Through this artwork, he honors his memory while inviting viewers to confront a reality that persists far beyond his private grief: the enduring stigma that surrounds HIV. At the heart of this visual is a human figure, curled inward in a silent wrestling, as if locked in a combat with the very notion of self-acceptance. The red of these waters is no accident; it is a direct invocation of blood — of what flows within us, what sustains us, and, tragically, what in this case becomes a reason for rejection. It speaks to the cruel irony that something as intrinsic and life-giving as our blood can also become a mark for discrimination.
This piece also draws from the painful journey of someone close to the artist who, despite his talents and qualifications, faced relentless obstacles securing employment simply because of his HIV status. In the country where he lived, illegal health-based screenings were quietly used to exclude candidates, leaving him not only jobless but profoundly humiliated. It also speaks to the story of a friend who confided in him that his sister was infected with HIV by her husband and faced rejection from her own community.
Such stories are not isolated. Over the past decade, discrimination against people living with HIV has continued across the globe. In the Philippines, workers have lost their jobs or suffered workplace harassment despite protective laws on paper. In Tennessee, outdated laws branded sex workers living with HIV as felons, forcing them onto lifelong offender registries. In the United States military, young recruits like Isaiah Wilkins were barred from serving solely because of their diagnosis — a ban only recently overturned. In Uganda, Ghana, Mali, and Trinidad and Tobago, new laws continue to criminalize already marginalized communities, while studies across East Africa and Europe confirm persistent bias in healthcare and society at large.
Much of this discrimination is fueled by ignorance: HIV remains wrongly tethered to specific communities — LGBTQ+ people, sex workers, and those who use intravenous drugs — perpetuating a narrative of blame and moral judgment rather than one of empathy and understanding.
This year (2025), key governments like the United States — historically the largest funder of global HIV initiatives — have paused major programs such as PEPFAR. This halt in funding places millions at risk, threatening to reverse decades of progress and potentially fueling a surge in new infections and preventable deaths worldwide. Ironically, this very reversal of progress is often exploited by conspiracy theories that suggest HIV is an engineered disease or that pharmaceutical companies and governments have deliberately blocked cures for profit. Such claims have been thoroughly debunked by entities like the World Health Organization, UNAIDS, and countless peer-reviewed scientific studies. The real harm from these conspiracies is that they breed mistrust, delay treatment, and deepen the very stigma already present.
This artwork serves as a reminder that the deepest battles often take place beneath the surface, unseen by the world, while also seeking to awaken awareness and compassion — urging viewers to look beyond fear and prejudice and to recognize the shared human dignity that stigma so carelessly attempt to erase.
Estigma
Acrylic on canvas / 40 x 35 inches
Bee Yourself Collection
Bee Yourself: A Celebration of Authenticity
Bee Yourself is a meticulously crafted collection that finds its foundation in the principles of expressionism. The essence of this series is drawn from the pursuit and celebration of authenticity. Through a nuanced examination of emotions, this collection offers a close and intimate look at the human experience, depicted through the interaction of human faces with a fluid, organic element—honey.
Each piece in this collection is a tribute to the beauty of being true to oneself. The use of honey as a motif symbolizes both the sweetness and complexity of our emotions, reflecting the depth and richness of our inner lives. By intertwining human expressions with this liquid element, the artwork encapsulates the fluidity and vulnerability inherent in genuine self-expression.
This three-piece collection aims to convey that authenticity is not only a personal virtue but also a powerful force that fosters genuine human connections. By staying true to who we are, we open ourselves up to deeper, more profound interactions with those around us.
Dalilah
Dalilah
Oil on canvas / 45 x 30 inches
Adrián
Adrián
Oil on canvas / 73 x 41 inches
Dalilah Euphoria
Dalilah Euphoria
Oil on canvas / 70 x 40 inches
Liquid Collection
Liquid: A Reflection on Human Diversity
Liquid is a celebration of human diversity and collective coexistence, free from distinctions based on skin color, age, origin, gender, or any form of discrimination rooted in geographical, economic, religious, and/or cultural roots present in our societies.
Water is the unifying element in this series of five pieces, representing the natural elements that humanity needs to survive, emphasizing that any distinctions we make between ourselves, consciously or unconsciously, are reduced to the ephemeral when we develop the ability to recognize that there are no significant differences that separate us, as we all rely on the same vital elements.
This series aims to connect the emotions of the viewer with human diversity. It is, in a way, a medium for reflection that urges the observer to seek balance between their existence and that of those around them. It calls for the appreciation of beauty and validation of each individual for who they are, leaving behind preconceived ideas and particular experiences.
In summary, Liquid is a proposal that draws attention to ideologies that unfortunately are part of humanity, such as racism, ageism, the understimation of children and the intolerance towards androgynism or non-binarism.
Liquid I, II, III, IV & V
 Liquid I |  Liquid II |  Liquid III |  Liquid V |
|---|---|---|---|
 Liquid IV |
All five pieces:
Black pencil on paper
35 x 24 inches
Available Paintings
For a look at Johan Cova´s Catalogue, please email info@johancova.com
Estigma
Acrylic on canvas / 40 x 35 inches
Passionnés
Acrylic on canvas / 66 x 40 inches
Mystique
Acrylic on canvas / 51 x 40 inches
Collectors
Johan Cova's original paintings are in private collections all over the world. If you are interested in becoming a collector of Johan's artwork, please email johan.cova@aol.com or send a message below to learn more.
Meet the Artist
Johan Cova, is a self-taught artist based in Mexico City, who embraces different technics, such as, acrylic, oil and pencil. Since a very young age, Cova knew he wanted to be an artist. He grew up with a love and passion for art, but decided to pursue other interests after leaving high school. By the time of pandemic (2020), Cova decided to quit his job, reconnect with drawing and painting, and begin to pursue his childhood dream of becoming an artist. In the same year, he relocated to Mexico City after leaving Buenos Aires, and had his first collective show in 2021.
Thanks to his presence on social media, Johan Cova has gained recognition for his hyperrealistic paintings and drawings and been fortunate to sell his artwork to collectors worldwide. While experimenting with a multitude of subject matters, Cova has always maintained a hyperrealistic style, attempting to create paintings that extend beyond what a photograph could ever capture focusing on the human figure interacting with liquids. "My favorite moment while painting is when a subject on my canvas merges with the surrounding liquid environment."
Currently, his main goal for his paintings is to use detail and color to create the mixed illusion of realism and abstraction on the canvas. More recently, Johan Cova has taken up a series of Medium-large scale paintings of human figures submerged in water. For any interest in collecting Cova's artwork, please email info@johancova.com
CV
PRESS PUBLICATIONS:
2025: Visual Art Journal Magazine - https://visualartjournal.com/2025/06/29/johan-cova/
2021: Reforma Club Magazine - https://www.reforma.com/muestran-su-talento-en-identidades/ar2252119
EXHIBITIONS:
2025: Showroom. Holiday House Designs. The Hamptons. New York
2025: Collective Show. Aura Copeland Gallery & Les Couleurs Contemporary. Miami. EEUU
2024: Collective Show. Paseo Interlomas Gallery by Art58. Mexico City. Mexico
2023: Collective Show, Untitled Gallery. San Luis Potosí. Mexico
2021: "Identidades" - Collective Show, Sophart Gallery. Mexico City. Mexico
2021: "Day of the Dead" - Collective Show, Oscar Román Gallery - San Miguel de Allende. Mexico
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